Over the course of four days, the artist, in collaboration with María Inés Arrillaga, arranged to film the viewers who entered the Uruguay Pavilion in the gardens of the biennial, somewhat unsettled by its apparent emptiness. In reality, and contrary to that initial impression, 10,000 micro-works covered the walls of the pavilion, forcing the viewer to pause and look.
Now the point of this current video is quite different; we, the spectators, become viewers of the Venetian spectators, even though, given the placement of the camera, we are incapable of seeing what they actually see on the walls. The result is a reflection, not only on what it means to be a spectator of a work of art, but also on being an ordinary citizen whose awareness is constantly being bombarded by the media with information that we must ultimately filter (assuming we are able to).
