DAN GRAHAM

Concerned about the mass culture, the mass media, and the malls, since 1975 he included in his work a fundamental material in his contemporary practice: the mirror-glass. This material leads him to culminate a series, from 1978 onwards, of buildings – known as Pavilions – that hide a deep reflection on architecture, contemporary urbanism in the USA and landscape.
These installations, connected with the idea of the modern shopping center – “temple” of contemporary society-, and with the architecture of large corporations, become scenarios that encourage fun and entertainment due to its reflective surface and its labyrinthine configuration.