Menorca
Menorca
Cayón Menorca is pleased to announce this summer an exhibition by Joan Miró (Barcelona, 1893-Palma de Mallorca, 1983). The show, the fifth in our Menorcan space since 2018, will take place between June 3 and September 9 and has the fundamental support of Successió Miró. Presenting some forty works (including more than twenty bronze sculptures), this is the most ambitious project dedicated to the artist in a commercial gallery in recent years.

The sculptures show Miró’s unmistakable style and his passion for collecting and assembling elements from his natural environment, the sea and the countryside being very transcendental in his daily life. Thus, in his last period, from the sixties onwards, he set out to create a series of works that would maintain his old and fascinating attraction for the object that he had carried with him since the twenties, but with an unequivocal desire to constitute his own autonomous sculptural corpus that led him to the foundry.

La Servante, 1969
The three-dimensional works presented in this show arise from the most varied and humble objects that, after a long process of definition based on many drawings and sketches, are finished with the casting and patination of bronze in various specialized workshops such as, in this case, Parellada in Barcelona, the Fonderia Artistica Bonvicini in Verona, Fonderie Valsuani et Fils, and Susse Fondeur, both in Paris.



One of the works selected for the exhibition is inspired by the “taula”, a type of construction from the Talayotic culture exclusive to the island of Menorca. The name taula refers to the central element of the T-shaped enclosure and owes its name to its similarity to a table. Thus, in the corresponding piece we can observe (from bottom to top), the following parts: a fragment of wooden board, a rectangular stone, a bookcover (curiously titled History of Humanity) and, finally, a whetstone with a clay shape modeled as a crescent moon that serves as a finial.

The exhibition covers many of the artist’s techniques, including oil paintings on masonite and other surfaces, drawings on paper and graphic editions, which allowed Miró -one of the great engravers of the last century- to disseminate his works more widely and bring them to a wider public.
The exhibition is accompanied by a unique catalogue written by Sir Peter Murray CBE, also including a brief biography of the artist, as well as further details of the exhibition.

Tête, oiseau, 1973
BRonze
63 x 40 x 19 cm.
Edition: 4/6. Edition of six signed and numbered copies.
MI022


Projet pour un monument, 1973
Painted bronze
133 x 22 x 28 cm.
Edition of two copies plus 1 AP (Artist’s Proof), signed and numbered.
MI023
Tête de femme, 1974
Bronze
200 x 80 x 44 cm.
Edition: 4/4. Edition of four signed and numbered copies.
MI027


Lola, 1977
Bronze
46 x 49,5 x 21 cm.
Edition: 5/6. Edition of six signed and numbered copies
MI028
Jeune fille à l´étoile, 1977
Bronze
48 x 33 x 40 cm.
Edition: 5/6. Edition of six signed and numbered copies.
MI029


Naissance, 1977
Bronze
57 x 58 x 55 cm.
Edition: 6/6. Edition of six signed and numbered copies.
MI031
Le chanteur d´opéra, 1977
Bronze
55 x 70 x 13 cm.
Edition: 4/6. Edition of six signed and numbered copies.
MI035


Homme et femme, 1977
Bronze
117 x 52 x 49 cm.
Edition: 4/6. Edition of six signed and numbered copies.
MI034
Project pour un monument, 1977
Bronze
65 x 32 x 22 cm.
Edition: 4/6. Edition of six signed and numbered copies.
MI033


Gymnaste, 1977
Bronze
102 x 92 x 86 cm.
Edition: 6/6. Edition of six signed and numbered copies.
MI032


Tête, 1978
Bronze
34 x 29 x 19 cm.
Edition: 6/6. Edition of six signed and numbered copies.
MI036


Torse, 1981
Bronze
77 x 55 x 15 cm.
Edition: 6/6. Edition of six signed and numbered copies.
MI039
Bas-relief, 1981
Bronze
41 x 34 x 3 cm.
Edition: 6/6. Edition of six signed and numbered copies.
MI038


Tête et oiseau, 1981
Bronze
125 x 26 x 51 cm.
Edition: 6/6. Edition of six signed and numbered copies.
MI041


Sans titre 3 13/V/1979 / 18/I/1980
Oil, wax, and graphite on cardstock
32,5 x 24,8 cm.
MI054





Personnages, oiseau, étoile 21/VIII/1979
Chinese ink, pencil, and charcoal on watercolor paper
36 x 50 cm.
MI052


L’Aveugle parmi les oiseaux, 1978
Aquatint, etching, carborundum, and grattage with a knife
107 x 75 cm.
Ejemplar: 40/50. Edición de 50 ejemplares.
MI046

